Mihály Kertész, 1914. The first Hungarian historical film.
Imre Jelinek, 1942. Much criticised film version of the Zsigmond Móricz novel.
Sándor Korda, 1917. The first film version of the evergreen operetta.
Mihály Kertész, 1917. One of the particularly popular operetta films in Hungary.
Márton Garas, 1920. Mór Jókai’s tale of the French princess in hiding in Hungary.
Mihály Kertész, 1917. Mihály Kertész’s witty comedy had audiences in stitches.
Sándor Korda, 1920. The friendship and tragedy of a Japanese conjurer and a Hungarian baron.
Antal Forgács, 1922. The first film by Franciska Gaál.
Emil Fenyő, 1920. A complex thriller with hair-raising pursuits and hilarious misunderstandings.
Márton Garas , 1921. Love triangle starring Ica Lenkeffy.
Sándor Korda, 1918. Fantastical love story featuring fauns, nymphs and humans.
Alfréd Deésy, 1917. Spectacular version of the Verdi opera.
László Márkus, 1920. Bubbly comedy about a hatmaker who escapes her aristocratic suitor in order to pursue her passion.
Lajos Gellért, 1921. Franciska Gaál conquers the heart of a lonely French marquis.
Cornelius Hintner, 1920. Carmen Cartellieri is lead actress in this drama set in the countryside.
Mihály Kertész, 1918. Two-part adventure drama by Mihály Kertész that captivated contemporary audiences.
Béla Gaál, 1925. Gizi Bajor in a dual role in this comedy about bohemian travelling comedians.
Márton Garas, 1920. Lavish adaptation of the popular novel by Mór Jókai.
Sándor Korda, 1917. The film version of the Mihály Babits novel was written by Frigyes Karinthy.
Géza Bolváry, 1920. Playing a twin role, Ilona Mattyasovszky is both the well-to-do lady and the depraved underworld girl (‘apache’).
Béla Balogh, 1917. Exciting spy movie and passionate love story.
Márton Keleti, 1937. The world of country houses and much great music in a Romeo and Juliet story set in rural Bihar county.
Béla Balogh, 1922. Love in the turmoil of the French Revolution.
Sándor Korda, 1919. European tragedy of an African slave.