Ákos Hamza D., 1943. Éva Szörényi, a girl in two roles.
Márton Keleti, 1938. Part of the film was shot on location in New York.
Sándor Szlatinay, 1938. Military comedy with the heroine played by the brilliant Zita Szeleczky.
Emil Martonffy, 1942. Peacetime comedy shot during the war.
Ákos Ráthonyi, 1940. The adventures of an impudent money collector in Pest.
Adolf Mérei, 1917. Complications with six women in a banned farce.
Andor Pünkösti, 1939. Modern-style comedy with strong social criticism.
Béla Gaál, Géza Cziffra, 1934. Hacsek & Sajó movie adventure with three comic episodes.
Sándor Korda, 1917. The most burlesque of comedies.
László Vajda, 1935. A village girl makes a singing career on radio.
István György, 1939. The film version of Mihály Erdélyi’s lively operetta.
János Vaszary, 1937. Lively comedy with excellent actors and plenty of music.
Béla Balogh, 1939. Light farce revolving around a supposed jewellery heist.
Márton Keleti, 1938. An abandoned little boy causes a mix-up in the girls’ school in this Hungarian adaptation of a French film.
Emil Martonffy, 1939. This music comedy involving much switching of outfits preceded Some Like It Hot by 20 years.
Jenő Janovics, Sándor Korda, 1917. The silent movie version of the evergreen comedy, which had the audience laughing as much as with the later ‘talkie’.
Sándor Korda, 1917. The first film version of the evergreen operetta.
László Vajda, 1938. A successful comedy with the focus on female characters.
Frigyes Bán, 1940. Campaign to save Napsugár (Sunray) resort.
Ákos Ráthonyi, 1943. Complex comedy in which a spoiled gentleman is inducted into the army.
Mihály Kertész, 1917. Mihály Kertész’s witty comedy had audiences in stitches.
Béla Gaál, 1932. A poor young couple meet an American millionaire of Hungarian ancestry.
Frigyes Bán, 1943. A comedy evoking the spirit of old film burlesques.
Sándor Korda , 1917. A clerk finds happiness in love and in her vocation.
Sándor Antalffy, 1918. Light comedy with lavish stage sets.
Mihály Kertész, 1915. Mihály Kertész’s smash comedy proved to be a box office hit abroad as well as at home.
Márton Garas, 1917. Social satire that generated record revenue from its distribution abroad.
Mihály Fekete, 1917. Lively love comedy with four sisters and their suitors.
László Márkus, 1920. Bubbly comedy about a hatmaker who escapes her aristocratic suitor in order to pursue her passion.
Béla Gaál, 1934. Lightweight comedy about a Hungarian millionaire girl looking for a marriage partner.
Béla Pásztor, 1936. Budapest through the eyes of a Scotsman.
Béla Gaál, 1939. An English girl and an Italian young man learn about Hungarian culture.
Kertész Mihály, 1916. Using early film tricks, actor Mihály Várkonyi appears as three characters at once.
Márton Keleti, 1937. The world of country houses and much great music in a Romeo and Juliet story set in rural Bihar county.
Béla Balogh, Béla Pásztor, 1939. Musical comedy with fine acting.