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Number of results: 936

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Congress Programme
Screening programme
Szücs, Ernő (1879–1934) A major producer who started with Jókai films in Hungary and went on to work with stars in Vienna.
Muráti, Lili (1911–2003) The sharp-tongued actress who fashioned capricious modern female characters found a new home in Spain.
Vészi, Margit (1885–1961) The woman who inspired Endre Ady and Ferenc Molnár, turned Puccini's brain, and won the Second World War for the United States.
Rapée, Ernö (1891–1945) One of the first movie composers whose melodies became hits in their own right.
Fejos, Paul (1897–1963) The polymath filmmaker in whose life there was room for the glitter of Hollywood, the world of tigers and Komodo dragons, not to mention mapping mysterious Inca ruins.
Repurposing educational films: the project Cadavre exquis André Habib (Université de Montréal, Canada), Annaëlle Winand (Université Laval, Canada), 14.30 Monday 25 April
A case study on how to make educational and industrial film collections “more visible” Mika Tomita (National Film Archive of Japan), 17.35 Monday 25 April
Returning Films to the Classroom: Using Archival Films as Educational Tools Nisanart Saithongkham (Film Archive, Thailand), 14.50 Monday 25 April
Science and Educational Film and Poverty Alleviation in China Li Zhen (Film History Research Department, China Film Art Research Center, China), 15.30 Monday 25 April
Amateur Filmmaking as Local History: the Community Documentary in Taiwan Pin-Chuan Chen (Cultural Division at the Taipei Representative Office in the UK, Taiwan), 11.55 Monday 25 April
Archives as the new site of cinema Stefanie Schulte Strathaus (Arsenal – Institute for Film and Video Art in Berlin, Germany), 16.35 Monday 25 April
Provisional ends: The research of non-fiction collections Tzutzumatzin Soto (Cineteca Nacional de México), 17.05 Tuesday 26 April
Case study of digitizing and releasing non-fiction films on streaming services Pekka Tähtinen (National Audiovisual Institute, Finland), 16.55 Monday 25 April
Film newsreels and human rights: challenges associated with cataloguing, access and distribution Carol Sabbadini (Señal Memoria, Colombia), 11.40 Tuesday 26 April
The Home Movie Handbook: A work in progress PANEL I 9.15 – 10.45 Monday 25 April, 90'
The visible gap: The accessibility of both the archives and its shortcomings through cinema Nicholas Andueza (Universidade Federal do Rio de Janeiro (UFRJ) / Université Paris 1 - Panthéon Sorbonne), 17.55 Monday 25 April
Best practise: Collecting and archiving small gauge films together with the local community Mário Jorge Alves (Oberhessische Museum Gießen, Germany), 11.15 Monday 25 April
Laya Films: Production, manipulation and cataloguing the Catalan newsreels during the Spanish Civil War Esteve Riambau (Director, Filmoteca de Catalunya, Spain), 11.20 Tuesday 26 April
Showcasing the films preserved at the French Sport Institute through new productions (INSEP) Julien Faraut (French Sport Institute, INSEP, France), 14.10 Monday 25 April
More Than Meets the Eye: Confronting the challenge of restoring non-feature length films  Matthew Yang (Asian Film Archive, Singapore), 14.40 Tuesday 26 April
Digital expansion of Soviet Estonian newsreels collection: Challenges and new perspectives Kadi Sikka (Film Archive of the National Archives of Estonia), 11.00 Tuesday 26 April
The Bernadine Bailey amateur film collection held by the Indiana University Libraries Moving Image Archive Madeline Webb-Mitchell (Indiana University Libraries Moving Image Archive, USA), 11.35 Monday 25 April
(In)visibility of Central European non-majority cultures in film collections Markéta Bártová, Michal Klodner (Národní filmový archiv, Prague, Czech Republic), 16.25 Tuesday 26 April
What does love mean to you? The ethics of saving and sharing Wendy Clarke's Love Tapes Amanda Smith (Wisconsin Center for Film and Theater Research, USA), 12.00 Tuesday 26 April
Research, reconstruction, presentation of the earliest Hungarian newsreels Galina Torma (National Film Institute Hungary – Film Archive, Budapest), 14.20 Tuesday 26 April
Collaboration on cataloguing, deposit and digitisation of Flemish non-fiction film heritage Bruno Mestdagh (Royal Film Archive of Belgium), Brecht Declercq (Flemish Institute for Archives ), 17.15 Monday 25 April
Exhibitors
The Story of a Newsreel and Short Film Collection Jon Wengström (The Swedish Film Institute, Stockholm, Sweden), 14.00 Tuesday 26 April
Restoring the Unconventional – Challenges in the Restoration of Experimental Film Julia Wallmüller (Deutsche Kinemathek, Berlin, Germany), 15.00 Tuesday 26 April
Challenges for the archive: the Geesink commercials Leenke Ripmeester (Eye Filmmuseum, Amsterdam, The Netherlands), 16.05 Tuesday 26 April
Documenting the Imperfect Life for the Bright Future – Digitizing the Films of the Staatliche Filmdokumentation (SFD) at the Bundesarchiv Adelheid Heftberger (Film Archive, Bundesarchiv, Berlin, Germany), Dirk Förstner (Bundesarchiv, Hoppegarten, Germany), 16.45 Tuesday 26 April
Filming defeat and exodus on a human scale: Dunkerque, June 1940 Catherine Dupuy (ECPAD, Ivry-sur-Seine, France), 15.10 Monday 25 April
Immigration and other stories Lucía Ciruelos (Film Museum, Buenos Aires, Argentina), 12.15 Monday 25 April
“The mirror shows itself” – Identification, research and restoration 14.00 – 15.35 Tuesday 26 April
“The Cameraman's Consciousness” – Newsreels and ethical challenges 11.00 – 12.55 Tuesday 26 April
“We have learned to see” – PANEL II 9.00 – 10.30 Tuesday 26 April
“Immediate Present” – Digitisation and access 16.35 – 18.30 Monday 25 April
Programme
“Segments of the Soul” – PANEL I 9.15 – 10.45 Monday 25 April